Discover the awarded movies of the 16th edition of the festival.
Screenings all around the world...
...from Paris to Lviv in Ukraine !
Selections are over!
With more than 2 000 very short movies to watch, the selection team had a big task.
Choices were hard to make, and there were many discussions.
Eventually, here is the list of every selected movies for this 16th edition.
Congratulations to those whose film was selected, and thanks to all of you for your participation!
A new map of the world is now online, on home page, just below the playlist of the week. It will help you to find every screening places of the 16th edition of the festival.
You just have to zoom in on the map in order to see the nearest city from your home, then click on orange spots to get detailed informations about your city.
This is the only woman to have received the “Palme d'Or”, the highest honor at Cannes in 1993 for The Piano, which succeds to Steven Spielberg.
The New Zealand director is the seventh woman president after Michèle Morgan, Jeanne Moreau, Françoise Sagan, Isabelle Adjani, Liv Ullmann and Isabelle Huppert in 2009.
For information, Jane Campion also won the “Palme d'Or” for Best Short Film in 1982 for Peel, her first production.
The 67th Festival de Cannes will start on May 14 and the Palme d'Or will be awarded by the director the 25.
Save the date!
Montpellier Agglomération, in partnership with the Très Court International Film Festival and the Food Bank of the Hérault, organizes a solidarity movie night on December 19 at the Auditorium of the Musée Fabre in Montpellier.
Program : two screenings of Women's Words very short films, one at 6 p.m, another at 8 p.m.
Cover Charge : 1kg (or more) of non-perishable food that will be donated to the Food Bank of the Hérault.
Come and confirm your participation at +33 4 67 13 60 00
39 boulevard Bonne Nouvelle
Tramway lignes 1 et 2 station Comédie / lignes 1, 2 et 4 station Corum.
Each year, our French Ministry of Women's Rights supports our Women's Words competition and gives "Women's Right" Award to a Très Court dealing with issues such as prejudice, violence, or equality between women and men.
Produced by the New York Times, Making a Scene is a tribute to eleven artists who marked the year 2013.
The project was directed by Janusz Kaminski, Steven Spielberg's Chief Operator and includes Adele Exarchopoulos, Robert Redford, Forest Whitaker, Bradley Cooper, Oprah Winfrey and many others.
Every Très Court (less than 90 seconds each) is a wink to the movie in which the actor (or actress!) get noticed. This is clearly the quality of this project: a single word, a single body movement is enough to show us the film in question.
We can regret a simplistic scenario in this very short form, but the attention given to aesthetics, including costumes, makeup, music and decorations makes us salute the originality of the performance.
All Making A Scene's videos are available on the New York Times's Website
After the creation of a completely new website last month, a new YouTube channel is now online !
Every week on Tuesdays and Fridays, two videos will be posted on this new channel, with English and French subtitles.
The perfect opportunity to discover the most significant creations of the previous editions, while waiting for the 16th edition of Très Court International Film Festival from 2 to 11 May.
And if you want to be sure not to miss any video, remember to SUBSCRIBE NOW.
You've probably noticed the poster of the 16th edition of the Très Court International Film Festival created by Slim Dicks and Olivier Pagès in which New York seems to have been reproduced using small toys like Lego. This is actually a real photo retouched to give the impression of smallness. This process is called the Tilt-Shift.
Behind this sophisticated word lies one of the most trendy effects in recent months, used both in the photograph and the video. The Tilt-Shift effect consists in keeping clear the subject but blur the rest of the image. Our mind interprets the scene as tiny and taken closely even if often the moment was captured tens or hundreds meters away.
This process has been democratized in the digital age with software created to simulate fuzzy such as Photoshop. Each user can let his imagination go wherever it wants! Today, with the popularity of this "false lego-like", even cameras are beginning to offer methods or applications of automated Tilt-Shift. The website TiltShift Maker also allows users to create this effect for only $ 5.
In few months, the Tilt-shift invaded the web. Well-known Director David Fincher did not hesitate to use this effect in one of the sequence of his Social Network’s movie.
Hundreds of photographs illustrating this process available here: